Reviews Archives - Dead Northern | Page 12

In Ishana Night Shyamalan’s feature directorial debut, M. Night Shyamalan’s daughter proves that she has a natural talent on her own without any namesake, creating mystifying lands and lore in the horror The Watched. Whilst the film equips an expansive story filled with startling truths and shocking details, the continuous barrage of going-ons and happenings ...

The Crow is perhaps one of the best films of the mid-1990s. It wows audiences and critics alike and has cemented itself as a definitive classic for the ages. As the film celebrates its 30th anniversary, let’s dive into the turbulent world of grungy, vengeance-seeking chaos, gothic aesthetics, rocky sequels, and the tragic production of ...

1- Exhibit A (Dom Rotheroe, 2007)  Exhibit A is a bleak, depressing exercise into nihilistic terrain as the film follows the King family, whose patriarch spirals after failed promotions and financial burdens. The film’s timely release circa the mid-late 2000s speaks to the detrimental economic climate the world was experiencing at the time. In this ...

When Bryan Bertino’s The Strangers hit theatres in the spring of 2008, not many could guess that this fairly low-budget feature debut would become the iconic home invasion thriller that it is. Years later, the chilling hit was met with another sleeper success with The Strangers: Prey at Night (2018); now, 16 years later, horror fans have been met ...

New horror instalment from directing duo Matt Bettinelli-Olpin and Tyler Gillet sees a group of unscrupulous criminals brought together to carry out the carefully plotted kidnapping of a billionaire’s daughter and subsequent blackmail for ransom. The power play quickly changes however once the group discover that they are in fact victims of a game orchestrated ...

Epitomising looming doom amidst a backdrop of murky greys and even murkier secrets is The Moor, a new and unmissable horror directed by Chris Cronin and written by Paul Thomas. Weaponising the beauty and dread of slow-burn terror, combined with the dramatic performances and startling dark narrative, equips the film with mystery and intrigue, making ...

Late Night with the Devil sees the excellent David Dastmalchian as Jack Delroy, a 1970s host of the late night chat show, Night Owls. Desperate to gain viewers back after a tragedy in his personal life, Jack themes his latest episode around occultism, however, the broadcast goes horribly wrong when a possessed guest unleashes a ...

In the world of remakes and sequels, few franchises (if any) have escaped their fair share of criticism, many of which comments involve leaving the ‘original’ entry alone and stopping with the rambling continuations. One series in particular whose successors have fallen flat is The Omen. With a talented cast including Ralph Ineson, Bill Nighy and ...

Believe it or not, it was a whole twenty moons ago that one of the best horror comedies graced the screen—(yes, 2004 really was that long ago). Edgar Wright’s Shaun of the Dead is a bonafide classic whose edgy humour, offensive charm, and bloodied zombie mayhem have cemented its zealous reputation all these years later.  ...

(Deadline, 2024) Spring’s new psychological horror feature ‘Immaculate’ sees Sydney Sweeney star as Sister Cecelia, a devout nun who finds herself trapped in a secluded convent in the Italian countryside. Fighting for her life, Sister Cecelia finds herself subjected to experiments orchestrated by the church in an attempt to bring about the second coming. ‘Immaculate’ ...

The Lawnmower – Sinister (Scott Derrickson, 2012) Sinister has a brilliant and justifiable setup for many jumpscares to ensue, with Ethan Hawke’s character discovering a box of Super 8 films revealing a plethora of families’ grisly deaths. Many of these evil tapes are shown, showcasing drownings, hangings, and a string of other cruel fates. However, ...

Imaginary is Jeff Wadlow’s latest collaboration with Blumhouse Productions, following from their previous combined projects, Fantasy Island (2020) and Truth or Dare (2018). Like every production house, there are filmic expectations, whether that be the dizzyingly raucous films from Troma Entertainment or the moody existentialist slow-burners from A24. And whilst Blumhouse has produced some utterly ...