Reviews Archives - Dead Northern | Page 15

Fear Street Part Two: 1978 presents itself as a throwback to 1970s summer camp slaughters, swarmed with cold-blooded kills, a jukebox-worthy soundtrack, and self-aware imitations. Luckily enough this ambition sequel is a worthy component to its predecessor, unlike many slasher sequels… What could have been a muddled backstory is instead a richly original yet bombastically ...

Friday the 13th has become ceremoniously linked to the birth of 1980s horror. From amateur viewers to horror connoisseurs the character of Jason Voorhees rings familiar, primarily due to the Friday the 13th franchise spawning twelve films and the fact that altogether the series has grossed approximately $755 million, but what truly endorses the slasher’s ...

The slasher subgenre has done for horror what Shakespeare did for playwriting. It’s that precise allure that accompanies the stalk and kill system, whilst revelling in motive, victim strategies, and exposing the cathartic sense of relief when a fatal conclusion is met, although the joyous reaction could be towards the killer just as much as ...

Within the current cinema climate lies a deeply debated sub section that has been seeding itself into horror for quite some time now. If you weren’t aware of it already, the interception operation of remakes has been turning every classic on its head and injecting the old with some new. Although some of the re-envisioning’s ...

Have you found yourself aimlessly scrolling across streaming services looking for something just right, but you always end up chucking on your usual comfort movie? Well look no further! Here is our compiled list of the best devilishly dark gems across all of your favorite sites. Netflix  1- The Invitation (Karyn Kusama, 2015) In the ...

“One, two, Freddy’s coming for you…” We all know that spine-tingling jingle that subtly defines one of horror’s most intimidatingly successful franchises, A Nightmare on Elm Street (Wes Craven, 1984). Craven’s legacy bears rich classics that have excelled beyond anyone’s expectations, with his filmography boasting titles such as The Last House on the Left (1972), ...

As I entered the cinema to watch the highly anticipated A Quiet Place Part II I was unfortunately met with loud chatty audience members attached to their brightly lit phone screens, needless to say, my annoyance was strong. However, the conversations halted and popcorn crunching was paused within five minutes of the attention-demanding film’s commencement. ...

James Wan changed modern horror in 2013 with the release of The Conjuring. No one was truly expecting how much of a success this out-of-nowhere film was going to gain, nor did anyone expect the lasting legacy that The Conjuring would have on the genre. Eight years down the line the Conjuring Universe is now ...

Does the idea of rabid zombies tucked away in a desolate Las Vegas thrill you? No… Well how about a merciless motley crew of mercenaries battling a zombie tiger? My thoughts exactly!  Zack Snyder’s return to flesh eating horror is a bountiful resurrection as his new Netflix flick, Army of the Dead brings in a ...

Psycho Goreman certainly lives up to its name, awash with vivacious color and bouncy characters ready to show you just how iconic a true to heart monster mashup is! Director Steven Kostanski is known for his horror filmography, with awesome films racking up his eccentric genre authorship, including The Void, Leprechaun Returns and a segment ...

“He could be anywhere, he could be anyone. We’re gonna tear this city apart” Just like that Saw is revived. The Saw franchise has sorely embedded itself within modern horror instantaneously when James Wan and Leigh Whannell released the first segment in 2004. The series had reached a lull and drifted from its pioneering ways, ...

Relic both devastates and captivates us all whilst establishing a rich environment made to heighten fear and immerse our intrigue. The 2020 Australian horror left its blemish across the virtual festival scene last year, with reviews storming in boasting its brilliance. Quite impressively this is Natalie Ericka James’ directorial debut, despite this, the film received ...